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Meet Beverly Love Warren, Illustrator of Meet Lottie and Annie

Meet Lottie and Annie

Written by Joye Smith

Illustrated by Beverly Love Warren

Woman’s Missionary Union, 2025

Welcome to the blog, Beverly! Thanks for taking the time to fill us in on what’s happening in your life, especially with the recent June 2025 release of Meet Lottie and Annie. This beautiful picture book is about two historical and inspirational women who led women and families to pray for and support missionaries around the world who tell others about Jesus.

Let’s get started!

Tell us what drew you to illustrate Meet Lottie and Annie. What made you decide to accept the assignment?

Hi Angie,

Thank you for this opportunity to share my part in this wonderful book. As my friend and critique partner you began talking about this book months ahead of your need to find an illustrator. Time passed and at some point I became aware of the fact that you didn’t yet have an illustrator, but Woman’s Missionary Union (WMU) was looking for one, so I prayed that the right illustrator would be found. Later, I got the idea that I would like to be considered, but I kept that to myself. About 2 or 3 months more passed and I heard nothing more from you regarding the book, so I concluded that you had found your illustrator. I was content with that, but shortly thereafter you surprised me and asked if I would be interested in the job. That was an easy answer. I have been interested in missionary work for decades and spent several months serving in England and in Israel. I’ve also had long term correspondence with missionaries for many years. Therefore, being drawn to illustrating a book about two missionaries was of great interest.

I’m so glad you were able to be a part of Meet Lottie and Annie. As in all publishing, it goes slow-until suddenly it goes super-fast (especially regarding deadlines). It was a blessing to work with a critique partner and sister in Christ.

Beverly's storyboard sketches for Meet Lottie and Annie

What was your process as you illustrated this picture book? How much research did you need to do?

One of the first things I did was to gather images of clothing and room décor for the sketches for Annie’s part. She would be easier to illustrate since I was already somewhat familiar historically with those items. Afterwards I began to research clothing, homes, furnishings, and villages in China, circa 1900. I located a photo of Tengchow, where Lottie spent much of her time. I used this photo for the outdoor illustration of Lottie and the missionary children. However, I didn’t include the buildings in the photo because I didn’t want them to compete visually with Lottie and the children.

Once I had the information I needed, including some photos of Lottie and Annie, I began my storyboard. Normally I would do character sketches but since I was trying to make Lottie and Annie look like themselves I did not need to design characters. The storyboard was then sent to you, Angie, for approval. Once approved, I then created the full-sized sketches which I entered into Procreate in my iPad. From these, I completed the final art.

Let me tell you, it was amazing to see the storyboard! I shared it with my team, and everyone loved it. We had a few tweaks as the process went on, but the final book is stunning!

From beginning to end, how long did it take you to complete illustrations for Meet Lottie and Annie?

It took me about 4 months. I began the art in November and finished the final art in mid-March.

We did a lot of back and forth, but really 4 months went fast.

Are there any special Easter eggs included in the illustrations? By that, I mean any fascinating special facts or tidbits that readers would love to hear about?

Yes, there are several tidbits. Many of the illustrations in Meet Lottie and Annie had some collaged pieces added to them. The letter that Annie is reading on page 18 is a clipped area of an actual letter written by Lottie. The painting on page 20 is a portion of an oil painting which I created from a trip my husband and I took to southern Spain. The rug on the floor of page 20-21 is of a rug that belonged to my husband’s grandparents, which makes the rug about 100 years old. The painting on page 29 is a pastel I created years ago of some tulips in my yard. Lastly, page 30 contains a small tugboat in the illustration. It is a McAllister tug. The McAllister tugs at that time in history were mostly located in the northeastern part of the United States. I specifically chose that tugboat company because my grandmother is a McAllister. Her family owned these tugboats. In very tiny writing on the side of the tug is the name Isabel McAllister which is my grandmother’s name. It is not legible to the naked eye, but nevertheless it is there. When I was very young, I rode on the tug that bears my grandmother’s name.

I remember seeing your grandmother’s name as I zoomed in to study the illustration. All of these are very cool fun facts!

Beverly's art for pages 30-31 (text is sample text to give layout).

You have illustrated several other books. What makes the illustrations for Meet Lottie and Annie unique and different from your other projects?

Most of my books have been illustrated in traditional watercolor. This book, as mentioned above, was digitally colored with some pieces of collage taken from fabric or other items.

Another thing that is unique about this book is that it is two books in one picture book. The front half of the book is about Lottie Moon who served in China and the second half tells of Annie Armstrong and her service in the United States. Although I have illustrated many Bible stories, this is my first time illustrating a book about missionaries. In a small way I feel connected to both women because I have written my share of letters to overseas missionaries and on November 14, 2025, my 18-year-old granddaughter flies to China to serve as a nanny for six months.

Wow! What an inspiring experience for your granddaughter to have! And the details in the illustrations are so interesting to dig into-the collage, fabrics, patterns, designs. The different aspects came together to make one fascinating picture book!

What’s next for you in the writing and illustrating world?

Just before I began Meet Lottie and Annie I finished up my second book as an author and illustrator, Tinker, where Are You?, which is about a young girl struggling to keep a promise she made to her best friend. For this holiday season I just completed a Christmas story coloring book. This is my first time creating a coloring book. It is about two small sparrows who build a nest for baby Jesus as a gift to him and his mother. I also have a picture book out on submission to some publishers and I’m working on another picture book and an illustrated chapter book.

I can’t wait to see the coloring book! As one of your critique partners, I’ve seen this work-in-progress many times!

Thank you, Angie for pairing me up with WMU to create this book. It was a joy to work with you on this project.

I totally agree! A pleasant fellowship!

As an illustrator, when I am illustrating a biography, I always feel like I get to know the characters that I illustrate in a unique way. As they live in my mind for the months that I attempt to portray them visually, I wonder about what it would be like to meet them in person. I wonder how they endured the great challenges on their chosen paths, and with Lottie and Annie, I wondered about the steps that God used to lead them into their call.

Thank you so much for sharing inside information about your process of illustrating Meet Lottie and Annie. A labor of love!

If you would like your own copy of Meet Lottie and Annie, you can find it here.

Read more about Beverly’s books here:

Beverly Love Warren

Book Share and Author Illustrator Interview: Tinker, Where Are You? by Beverly Love Warren

Happy Book Birthday to FISHING WITH GRANDPA AND SKYE! Written by Candace Spizzirri, Art by Beverly Love Warren #bookbirthday

Happy Book Birthday to HAVE YOU SEEN MOUSE?! Interview with Author-Illustrator Beverly Love Warren

Meet the Authors: The Girl Who Lived in a Shoe and other Torn-Up Tales

Beverly Love Warren
Beverly Love Warren


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Illustrator Interview: The Whole World Inside Nan’s Soup, Illustrated by Vikki Zhang

The Whole World Inside Nan’s Soup

Written by Hunter Liguore

Illustrated by Vikki Zhang

Yeehoo Press, 2021

Welcome back, friends! Last Wednesday, Hunter Liguore visited to share about her new book. You can hop over to read that interview here and get your name in the hat to win a copy from Yeehoo Press.

Today I am delighted to introduce Vikki Zhang, the talented illustrator of The Whole World Inside Nan’s Soup. Vikki joins us from China. Vikki has generously shared some of her works-in-progress and completed spreads, but you really need to read this picture book in person to see the details and feel the wonder of this lovely book. The partnership between Hunter and Vikki comes to life in each page!

Character development work-in-progress

Welcome, Vikki! Tell us a little about yourself.

Hi! My name is Vikki Zhang, I came from China, Jiangsu. I received my MFA of illustration at School of Visual Arts in 2018. Then I began my career as a freelance illustrator in New York. I created art for children’s books, editorials, book covers, brands, and product surface, etc.

I am also the founder and art director of Nianyi(年衣), a kids fashion brand, based in Beijing.

Wow, I see plenty of creative opportunities for you! Congratulations on your work!

Congratulations on your new book The Whole World Inside Nan’s Soup! Once you read the manuscript from Hunter, how did you get your inspiration for the illustrations you created for the book?

Thank you, Angie. I am so pleased you enjoy the reading.

Hunter’s writhing is full of love and benevolence, like the yellow lamplight emitted from the deep woods. For the protagonists are a little girl and her grandmother, I am thinking of the objects and details appeared from my experience living in the grandparents’ home. The clock, the tablecloth, the pot, the outfits and so on are directly taken from the real life.

I am a nostalgia. I also got inspiration for this book from Victorian-Edwardian era’s picture books, antique cross stitch, decor and interior design of William Morris style, Carl Larsson’s watercolor depicting family, home and farm, poem about country life, delight rhythm in guitar, etc.

Oh, that’s what your illustrations remind me of-Carl Larsson! I love his work. And I love watercolors!

Kitchen scene work-in-progress

Where do you do your illustrating work? What process do you use as you create illustrations?

I am now work at the studio in Shanghai. While this book was finished in my parents’ home during the quarantine. The process begins with sketching on iPad. Then I printed them out, traced them on light box with pencil, and colored layer by layer with watercolor. There are some pages drew directly from iPad.

How did you celebrate the book birthday of The Whole World Inside Nan’s Soup when it came out last August?

I called my dad and mom sharing this good news. It’s very exciting to publish it simultaneously in US and China.

Book scene work-in-progress

I love the heart in The Whole World Inside Nan’s Soup. The family relationships and the connections between ingredients and their sources is fascinating. It takes making soup to a deeper level. How do imagination and your childhood experiences impact your creativity as you illustrate?

My childhood experience had a profound impact on my art career. I am very grateful for each of my family member who gave me lots of love and care during my growth. They gave me a soft heart full of imagination. I read a line which says imagination is good memory. I can’t agree more with that. Those who can create fantasy and marvel are ones who are deeper engaged in the daily life than others.

I love reading how your family gave you a soft heart filled with imagination!

What are you working on now?

I am working on packaging designs, brand collaborations, series book art for young adults about Peking opera, and a picture book I wrote. As for Nianyi, we are preparing the 22aw collection.

You are very busy!

What tip would you give to a new picture book author or illustrator?

Don’t overthinking, let it flow, simply create things you are truly passionate about.

Be honest, be patient, focus, work hard

Thank you for the tips!

Surprise us! What else would you like to share?

The designers from Nianyi made the little girl’s red polka dress into the real product. The dress will be released in our 22ss collection!

When I drawing the little girl, her hair style is difficult to depict in specific angles. So I tie up my hair into the same style and took selfies modeling for myself.

I think that dress will be adorable!

I love this selfie Vikki took to help her see how to illustrate the little girl’s hairstyle!

Thank you so much, Vikki, for sharing your beautiful work!

Readers, you will want to find your own copy of The Whole World Inside Nan’s Soup to enjoy! And don’t forget to swing over to the Author Interview post to read more about this delicious picture book and get your name in the hat to win a copy. Thanks for stopping by!